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Rose is placing a number of FRAMED PHOTOS on the bureau, arranging them carefully next to the fishbowl. LOVETT And everyobody who knows about the diamond is supposed to be dead... BODINE S'cuse me, I have to go check our supply of Depends. ROSE'S STATEROOM / KELDYSH - DAY Lizzy is unpacking Rose's things in the small utilitarian room. 27 A FLASHCUT of a man's eyes, just visible over the top of a sketching pad. The theory goes that the crown diamond was chopped too... MARY MARVIN stands stiffly and smiles, self conscious. Jack is American, a lanky drifter with his hair a little long for the standards of the times. 26 THE WOMAN'S FACE IN THE DRAWING, dancing under the water. LOVETT Louis the Sixteenth wore a fabulous stone, called the Blue Diamond of the Crown, which disappeared in 1792, about the time Louis lost everything from the neck up. NANIEL MARVIN (whose father founded the Biograph Film Studio) is filming his young bride in front of the Titanic. JACK DAWSON and FABRIZIO DE ROSSI, both about 20, exchange a glance as the other two players argue in Swedish. T I T A N I C a screenplay by James Cameron 1 BLACKNESS Then two faint lights appear, close together... They resolve into two DEEP SUBMERSIBLES, free-falling toward us like express elevators. MIR ONE / NORTH ATLANTIC DEEP PUSHING IN on one of the falling submersibles, called MIR ONE, right up to its circular viewport to see the occupants. Its knife-edge prow is coming straight at us, seeming to plow the bottom sediment like ocean waves. Mir One goes up and over the bow railing, intact except for an overgrowth of "rusticles" draping it like mutated Spanish moss. 7 Mir Two drives aft down the starboard side, past the huge anchor while Mir One passes over the seemingly endless forecastle deck, with its massive anchor chains still laid out in two neat rows, its bronze windlass caps gleaming. 8 Mir Two lands on the boat deck, next to the ruins of the Officer's Quarters. The ROV descends through an open shaft that once was the beautiful First Class Grand Staircase. LOVETT (to the video cameraman) Get that outta my face. LAB DECK, PRESERVATION ROOM - DAY Technicians are carefully removing some papers from the safe and placing them in a tray of water to separate them safely. Brock looks closely at the drawing, which is in excellent shape, though its edges have partially disintegrated. In her late teens or early twenties, she is nude, though posed with a kind of casual modesty. One is ahead of the other, and passes close enough to FILL FRAME, looking like a spacecraft blazing with lights, bristling with insectile manipulators. INSIDE, it is a cramped seven foot sphere, crammed with equipment. He's in his late forties, deeply tanned, and likes to wear his Nomex suit unzipped to show the gold from famous shipwrecks covering his gray chest hair. It towers above the seafloor, standing just as it landed 84 years ago. TIGHT ON THE EYEPIECE MONITOR of a video camcorder. The 22 foot long subs are like white bugs next to the enormous wreck. Snoop Dog goes down several decks, then moves laterally into the First Class Reception Room. Lovett moves closer, peering into the safe's wet interior. Nearby, other artifacts from the stateroom are being washed and preserved. She is on an Empire divan, in a pool of light that seems to radiate outward from her eyes. At her throat is a diamond necklace with one large stone hanging in the center. O.) I'd rather show you than tell you, and we think we're very close to doing just that. Her face is a wrinkled mass, her body shapeless and shrunken under a one-piece African-print dress. LOVETT Nobody called the recovery of the artifacts from King Tut's tomb grave robbing. Mir One is already recovered with Lewis Bodine following Brock Lovett as he bounds over to the safe like a kid on Christman morning. no, look, don't worry about it, there're still plenty of places it could be...

I will happily compensate you for anything you can tell us that will lead to its recovery. Laid out on a worktable are fifty or so objects, from mundane to valuable. She is 17 years old and beautiful, regal of bearing, with piercing eyes. CAL You can be blase about some things, Rose, but not about Titanic. Cal turns and fives his hand to Rose's mother, RUTH DEWITT BUKATER, who descends from the touring car being him. He is an artist, and has adopted the bohemian style of art scene in Paris. He is also unshaven, and his clothes are rumpled from sleeping in them. LAB DECK, PRESERVATION AREA Rose looks at the drawing in its tray of water, confronting herself across a span of 84 years. LOVETT I tracked it down through insurance records... Behind him emerge TWO MAIDS, personal servants to Ruth and Rose. (MORE) CAL (CONT'D) (curtly, indicating Lovejoy) See my man. LOVEJOY (to the porter) These trunks here, and 12 more in the Daimler. The White Star man looks stricken when he sees the enormous pile of steamer trunks and suitcases loading down the second car, including wooden crates and steel safe. They pass a line of steerage passengers in their coarse wool and tweeds, queued up inside movable barriers like cattle in a chute. Mary Marvin, without an acting fiber in her body, does a bad Clara Bow pantomime of awe, hands raised. RUTH Honestly, Cal, if you weren't forever booking everything at the last instant, we could have gone through the terminal instead of running along the dock like some squalid immigrant family. At any rate, it was my darling fiancee's beauty rituals which made us late. CAL I couldn't let you wear black on sailing day, sweetpea. CAL Here I've pulled every string I could to book us on the grandest ship in history, in her most luxurious suites... Rose looks up as the hull of Titanic looms over them...a great iron wall, Bible black and sever. CLOSE ON CAL'S HAND IN SLOW-MOTION as it closes possessively over Rose's arm. CLOSE ON FABRIZIO licking his lips nervously as he refuses a card. Cal's VALET, SPICER LOVEJOY, is a tall and impassive, dour as an undertaker. Cal never tires of the effect of money on the unwashed masses. Most of the first class passengers are avoiding the smelly press of the dockside crowd by using an elevated boarding bridge, twenty feet above. Cal guides them out of the path of a horse-drawn wagon loaded down with two tons of OXFORD MARMALADE, in wooden cases, for Titanic's Victualling Department. To me it was a slave ship, taking me back to America in chains.

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Then she married a guy named Calvert, moved to Cedar Rapids, had two kids. Lovett, Buell and Bodine watch as the HELICOPTER CREW CHIEF hands out about ten suitcases, and then Rose is lowered to the deck in a wheelchair by Keldysh crewmen.